Each quarter of an hour or so, an ageing diesel railway carriage arrives at a graffiti-covered stop. Nearby, a police siren cuts through the almost continuous traffic drone. Daily travelers hurry past collapsing, ivy-draped garden fences as storm clouds gather.
This is perhaps the last place you expect to find a well-established vineyard. But James Bayliss-Smith has cultivated 40 mature vines heavy with plump mauve berries on a rambling allotment sandwiched between a row of 1930s houses and a commuter railway just north of Bristol downtown.
"I've noticed people hiding heroin or whatever in those bushes," says Bayliss-Smith. "But you simply continue ... and keep tending to your grapevines."
The cameraman, 46, a filmmaker who also has a kombucha drinks business, is among several urban winemaker. He's pulled together a informal group of cultivators who make vintage from several hidden city grape gardens nestled in private yards and allotments across the city. The project is too clandestine to have an official name yet, but the group's WhatsApp group is called Grape Expectations.
So far, Bayliss-Smith's allotment is the only one registered in the Urban Vineyards Association's upcoming world atlas, which features better-known urban wineries such as the eighteen hundred vines on the hillsides of Paris's renowned artistic district neighbourhood and more than 3,000 vines with views of and inside the Italian city. Based in Italy charitable organization is at the forefront of a initiative reviving city vineyards in historic wine-producing countries, but has identified them throughout the globe, including cities in East Asia, Bangladesh and Central Asia.
"Vineyards help urban areas stay more eco-friendly and more diverse. They preserve land from development by creating permanent, yielding agricultural units within cities," explains the association's president.
Like all wines, those produced in cities are a result of the earth the vines grow in, the unpredictability of the weather and the people who tend the fruit. "A bottle of wine represents the beauty, local spirit, environment and heritage of a city," adds the president.
Returning to the city, Bayliss-Smith is in a urgent timeline to harvest the grapevines he grew from a cutting left in his allotment by a Eastern European household. If the precipitation comes, then the pigeons may seize their chance to attack again. "Here we have the enigmatic Polish grape," he says, as he cleans bruised and rotten grapes from the shimmering clusters. "We don't really know what variety they are, but they're definitely disease-resistant. Unlike noble varieties – Pinot Noir, Chardonnay and additional renowned French grapes – you don't have to spray them with pesticides ... this could be a special variety that was bred by the Soviets."
The other members of the group are also taking advantage of bright periods between showers of autumn rain. On the terrace with views of Bristol's shimmering waterfront, where medieval merchant vessels once bobbed with barrels of wine from France and the Iberian peninsula, one cultivator is collecting her dark berries from approximately fifty vines. "I adore the aroma of the grapevines. The scent is so reminiscent," she remarks, stopping with a container of grapes resting on her arm. "It's the scent of Provence when you roll down the vehicle windows on vacation."
Grant, fifty-two, who has devoted more than two decades working for humanitarian organizations in conflict zones, inadvertently took over the vineyard when she returned to the UK from East Africa with her family in 2018. She experienced an strong responsibility to look after the grapevines in the yard of their new home. "This vineyard has already endured multiple proprietors," she explains. "I deeply appreciate the concept of natural stewardship – of handing this down to future caretakers so they can keep cultivating from the soil."
Nearby, the remaining cultivators of the group are hard at work on the precipitous slopes of the local river valley. One filmmaker has established over 150 vines situated on ledges in her expansive property, which descends towards the silty local waterway. "Visitors frequently express amazement," she says, gesturing towards the interwoven vineyard. "They can't believe they are viewing grapevine lines in a city street."
Today, the filmmaker, 60, is picking clusters of deep violet Rondo grapes from rows of vines arranged along the cliff-side with the assistance of her daughter, Luca. The conservationist, a wildlife and conservation film-maker who has worked on streaming service's nature programming and BBC Two's gardening shows, was motivated to plant grapes after observing her neighbour's grapevines. She's discovered that amateurs can produce interesting, enjoyable natural wine, which can sell for more than £7 a glass in the increasing quantity of wine bars specialising in low-processing wines. "It's just incredibly satisfying that you can actually make good, natural wine," she says. "It is quite fashionable, but really it's resurrecting an old way of producing wine."
"During foot-stomping the fruit, all the wild yeasts come off the surfaces and enter the juice," explains Scofield, partially submerged in a container of small branches, seeds and red liquid. "This represents how wines were made traditionally, but industrial wineries add preservatives to eliminate the wild yeast and subsequently add a commercially produced yeast."
A few doors down sprightly retiree Bob Reeve, who motivated his neighbor to plant her grapevines, has gathered his companions to harvest Chardonnay grapes from one hundred plants he has laid out neatly across multiple levels. Reeve, a northern English PE teacher who worked at the local university cultivated an interest in wine on regular visits to Europe. However it is a challenge to grow Chardonnay grapes in the humidity of the gorge, with temperature fluctuations sweeping in and out from the nearby estuary. "I aimed to make Burgundian wines here, which is a bit bonkers," says Reeve with a smile. "This variety is slow-maturing and very sensitive to fungal infections."
"My goal was creating European-style vintages here, which is a bit bonkers"
The temperamental Bristol climate is not the sole challenge encountered by grape cultivators. Reeve has had to install a barrier on
Elara is a passionate gamer and tech writer with years of experience covering industry trends and game analysis.